Every time I go to one of these “How to Get an Agent” panel discussions, I always end up feeling a bit like this:

The experience is often a bit like that child psychology class I took in college where I got a whole semester of “101 ways you WILL ruin your child’s life before it’s even born.”  The only difference here is that instead of ruining your child’s life, you’re destroying your book before it’s even published.

But it doesn’t have to be that way.

The agent panel at the Writer’s Digest Conference taught me that finding an agent boils down to 3 principles:

• Do Your Homework
• Don’t Be Stupid
• Quit Obsessing

Here are a few priceless gems I learned from that panel discussion.  (By the way, the amazing agents on this panel were: Janet Reid, Donald Maass, Jud Laghi, Mary Kole and Chuck Sambuchino as moderator.)  Now for the pearls of wisdom.

Do Your Homework.  This includes obvious things like researching the agents before querying or knowing the word count parameters for your genre or target age group.  It also means finishing the book before you query (for fiction and memoir) and sending material to the agent the way he or she wants to get it (i.e. don’t snail mail if he asks for email, don’t send an attachment if he prefers pages in the email text).

Don’t Be Stupid.  There are no-brainers like: “don’t send naked pictures with your query” (do people actually do that?) and “don’t make claims about your internet presence if you don’t have the numbers to back it up” (i.e. don’t lie).  But some mistakes they mentioned were also more subtle.  For example: if you have an editor at a publishing house who’s already looking at your work, let the agent know.

Notice how there is a significant correlation between this principle and the previous one.  In short, if you do your homework and use common sense you will seriously cut down your chances of doing something incredibly stupid.  And that’s a good thing.

Quit Obsessing.  This was probably the principle that most made an impression on me.  A few examples:

1. Of course you want to know what the word count parameters are for your genre but don’t obsess if your book lies a little outside the limits.  As Donald Maass put it: “When a book is powerful, I never hear editors comment about length.”
2. It’s a good idea to have your book professionally edited, but that doesn’t mean you have to shell out a gazillion dollars to do it.  A couple of insightful beta-readers can be just as professional.
3. Don’t apologize for not having credentials.  Most authors have had one book that came before they had “credentials.”  It’s called a first book.
4. As for genre, you worry about all those fancy marketing terms like “commercial women’s fiction” (stuff for women that sells) but in the end, it’s about figuring out where your book will find a home in the book store.  And in the words of Donald Maass: “Genre is a 20th century concept.”  Considering how book retail is changing, I think he may have a point.  In other words, don’t panic if your book falls outside the genre pigeonholes.

In the end, these three principles of querying are just a tiny slice of the pie, because what really matters is the writing.  As Janet Reid said: “Write beautifully and send the query.”

I don’t know about you, but that makes me feel a lot better.

OK, we’ve already established that reading is awesome, but imagine my surprise when I went to the Writer’s Digest Conference and the most inspiring talk of all was not actually about writing.  It was about reading.

Richard Nash, who gave the lunch keynote speech on Saturday, gave a fascinating talk about how writers have to be readers, how reading and writing are the opposite sides of the same interaction.  All I have to say is: OMG did he read my mind?  This is exactly the sort of stuff I’ve been obsessing over for the last few weeks.  In fact, after hearing Richard Nash speak, I am completely convinced that reading can, in fact, change the world.

A few weeks ago, I posed the following statements for discussion.

Hello friends of iggi!  How I missed you and your smiling bloggy faces while I was at the Writer’s Digest Conference.  It was such a great weekend though and I had oodles of fun.  I met lots of amazing people and learned tons and tons.

Oooh, and guess what…  I’ve brought back prezzies!

There was so much awesome stuff to learn at this conference and I want to share it all with you.  After all, what’s the fun of having something awesome if you can’t share it with your friends, right?

The bad news is, I can’t give you exact transcripts of all the sessions I saw.  First off, I didn’t manage to take notes on every last detail of awesome because I can’t write that fast, so I only wrote down the really good stuff.  And secondly , I’m not sure it’s actually legal or good-sportsman-like for me to transcribe those sessions anyway.  (And lawyer-hubby reads this blog, so I gotta stay on the nice side of legal.)

But the good news is, I can give you the really super bits of awesome.  And when it comes to the other stuff… really, do you want to hear the boring parts?  Didn’t think so.

What does this mean for the iggiLand?  For the next whatever-many days, I’ll be doing recaps of all the super-amazing tools, tricks and ideas I picked up at the conference.  This means I’ll be breaking out of my usually-scheduled post topics, but I have a hunch you’ll forgive me.

Here’s a preview of what’s in store:

• How Reading Can Change the World
• Agent Panel: Quit Obsessing
• Every Book Can Get Better
• Writing Conferences: Don’t Be “That Guy”
• Two Words about Social Media: Don’t Panic
• How to Survive the Revision Process
• Blogging 101
• Writing: We Are All in This Together

In the meantime, you can find more awesome at the Writer’s Digest live conference blog.  Oh, and if you were at the conference and you couldn’t see a session because it conflicted with another one, you can always check out the live conference blog to see the ones you missed.  (I know I’m going to…)

And on twitter, check out the #wdc11 hash tag for conference-related tweets.

Oh, and if you were at the conference and are doing recap posts on your blog, feel free to leave the link in the comments so we can all share the awesome with you!

Now, here’s a round of iggi-tinis for all.

As of last weekend, our house has been slowly disappearing into boxes all around us.  We still have another three weeks until we move, but because I’ll be busy with conferences the next few weekends, we’ve had to get a jump start on the packing.  Perhaps the hardest part about the move has been parting with all my writing books/supplies/knick-knacks (even if just for a few weeks).  This is where the Portacle comes in.

Portacle = Portable + ORACLE.

As some of you may recall, the ORACLE (along with my special writing space) is where I keep my miscellaneous writing ideas, prompts and exercises.  But alas, my beautiful workspace and containers of treasure are slowly disappearing into boxes and I’ve had to ask the tough question: which parts of my workspace can I absolutely NOT live without for the next three weeks?

Here’s my list:

For Writing

• Journal (unlined)
• Stickers
• mini Image File (a couple of postcards tucked into the journal)
• Who/What/When/Where/Why/How question cards
• Small velvet drawstring baggie containing dice, worry stone and beaded charm

For Reading

• Kindle
• Amazon gift card (Christmas gift – to be used only in literary emergencies… like if I run out of things to read between now and February)
• The Iliad (Fagles translation) for some light reading or to cure insomnia, not sure which

For Teaching

• The Art of the Short Story (the textbook for the class I’m teaching)
• Strunk & White (duh)
• Ordinary Genius by Kim Addonizio
• Reading Like a Writer by Francine Prose
• Good Poems by Garrison Keillor
• Two books on craft (one poetry, one fiction)
• Graphic Novel version of Pride and Prejudice (because I can’t survive without at least one version of my favorite book)

I can’t tell you how much it has pained me to store away my books.  On Writing (Stephen King).  Writing Down the Bones (Natalie Goldberg).  Bird by Bird (Anne Lamott).  I mean, it’s almost like taking your friends and squashing them into boxes.  It’ll be three whole weeks (or longer) before I see any of their shiny, smiling covers again.

But hubby put his foot down and said I had to pack the books.  Either that, or the movers wouldn’t take them and I was going to have to move the books to the new place all by myself.  (I hate it when he makes sense and sounds reasonable.)

Still.  All these empty bookshelves make me feel so darn lonely.

Guess what I’m unpacking first when we get there!  🙂