While hanging out in the North Pole, I got a chance to chat it up with Rudolph.  Let me tell you, that is one optimistic little reindeer and a lot of his advice applies really well to writing.  Here are some super-secret tips he shared about how he made it to leading Santa’s sleigh.

Be nosy.  That’s right.  Writers need to have no shame about asking questions so they can learn about exciting new things.  After all, how else do you get all that material to write about?  If you want to know about something, ask.  Or go to the library.  Or ask Google.  And remember: don’t just write about what you know, write about what you want to know.

Develop a thick skin.  Writers are a strange bunch.  They spend years writing a book, then tearing it apart in edits, then querying and collecting rejection letters.  Just as Rudolph had to get used to being picked on by fellow reindeer, writers need a thick skin to survive the volume of rejections that comes with the job.  Rather than letting it get to us, we need to follow Rudolph’s example and just let our noses sparkle.

Don’t let the fog scare you.  At one point or another, all writers hit the fog.  You know, that feeling that nothing you write is ever good enough and “where’s this book going anyway?”  Just remember, real writers don’t just work when the weather’s clear, they write in the snow and wind and fog as well.  And most of the time, it’s when they break through the nasty weather that the real magic happens.

How about you?  What reindeer games have you learned from our red-nosed friend?

Mr. Claus is a wise man.  In fact, when it comes to important things like making toys or writing books (which are almost the same thing, really) he is the head honcho, zen master, Dumbledore and Obi-Wan Kenobi all rolled into one.  I myself have had the privilege to spend some time hanging out with the Big Man, and he’s given me some secret tips on toy-making, writing and life.  In the spirit of holiday sharing, I now pass these on to you.

1) Isolate yourself.  The man in the red suit definitely knows something about productivity.  Imagine making and delivering toys for all the good little children of the world.  That takes serious commitment.  The only way he manages to get everything done is because he makes his home on the most desolate real estate the world has to offer.  Writers too should follow his lead and engage in some major alone time now and again.  It helps us stay focused.

2) Surround yourself with good people.  OK, so maybe in Santa’s case these happen be people with pointy ears and twirly-whirly shoes, but they’re still pretty darn awesome.  The truth is, Santa would get nowhere if it weren’t for his toy-making comrades, and writers would suffer the same fate if they didn’t have buddies to help them stay sane.  These are the people who read our work, keep us motivated and let us know when we’re being a little bit crazy.  We all need them, and need to let them know how much they’re appreciated.

3) Do it for love.  No one in their right mind would dedicate his life to making and distributing toys unless he was seriously committed to his mission.  I mean, how thankless is Santa’s job?  He makes all the loot, flies it around the world in his sleigh and then on Christmas morning, the kids are all: “Thanks Mom and Dad!”  Go figure.  The only way he can make sense of it all is to do it out of love.  The same is true for writers.  Write for love or don’t write at all.

4) Sometimes you have to be a little bit in denial.  A while ago, I interned at a literary agency because I wanted to understand how publishing worked.  After spending each day reading the slush pile, I couldn’t help feeling a little discouraged as a writer, not because the stuff I was reading was horrible but because it was so gosh-darn good.  And I still had to reject it.  I realized that to stay motivated, I had to preserve the illusion that I could make it to the finish line some day.  Just as Santa has to be in denial about certain things (“Yes, I will fit down this chimney”), I needed to give myself permission to be jolly and optimistic or I would spend all my time criticizing my own work and never get any writing done.

5) After a hard day’s work, have some milk and cookies.   Santa is a smart man.  He knows that he needs a little recharging snack during the long haul of Christmas Eve, so he makes time for milk and cookies after each stop.  We writers also need to remember to be good to ourselves.  So go ahead and have some milk and cookies.  Or give yourself an at-home spa day.  Or buy yourself a pair of super-comfy socks.  Whatever you do, just make sure it’s something that will make you feel special and cared for.

In the end, I think Santa’s advice applies pretty much to any calling in life, whether you’re writing a book or making toys or trading stocks or building a space ship.  It’s all about staying jolly.

One of my favorite things to do in LA is to visit the La Brea Tar Pits.

For those of you who haven’t been there, they’re these gigantic pits of sticky mud where all these prehistoric mammals got stuck, perished, and now people have excavated the bones.  The prehistoric skeletons are on display at the museum and it’s incredible.  I thought the NYC Natural History museum’s dinosaur wing was impressive but the La Brea Tar Pits definitely win when it comes sheer volume of prehistoric treasure.

My favorite part?  There is an entire hallway wall lined top-to-bottom with Dire Wolf skulls.  Yes, that’s right.  Prehistoric wolf skulls.  Hundreds of them.  Amazing.

And what blows my mind is this: who would’ve thought that a pit full of sticky mud would yield so many incredible treasures?

But it did.

Which brings me to the point of this post.  Right now I’m in the middle of editing and my manuscript is about ten notches lower than a pit of sticky mud.  Seriously.  It makes the La Brea Tar Pits look like a shiny swimming pool.  And there are moments when I start to wonder, is it possible that there’s anything of value hidden under all this muck?

That’s when I try to remember the tar pits.  The hundreds of wolf skulls.  After all, if scientists could pull out all that treasure from a pit of sticky mud, surely I can find one tiny redeemable thing in my mess of a manuscript.  And thinking that makes me feel better.

Where will you find treasure today?

Speaking of finding treasures, it’s about time I announce the winner of the most recent contest and share some treasure!  Turns out I didn’t make it to 200 so I’ll be drawing one winner.  But stay tuned: there will be more contests to come in the future.

And the winner of the Road to 200 Contest is…

Here’s the ugly truth:  No writer exists in a void.  All writing is influenced by what has come before.  There is no such thing as utterly, completely unique because writing exists within a context.

In a world that’s always screaming for the Next New Thing, how do we writers reconcile that with the scary truth that there’s really no such thing as new?  Here are a few things I learned as I completed my WIP draft.

1)  Write what you love, not what the market “wants.”  I used to work in the toy industry and it always boggled my mind that we had to predict what kids would “want” not now but a year from now.  We could spend a whole year developing a product only to discover at the end of it all that the trend was over.  The same is true for writing.  If you’re working on your project because the genre or topic are a big hit now and you want to jump on the bandwagon, chances are you’ll be disappointed.  But if you’re working on this book because you love the subject and the characters, then no matter what happens, it’s win-win.

2)  Context isn’t something to be afraid of.  Think of it as a “safety net.”  In the product development world, companies love to create extensions of popular product lines.  After all, a good chunk of the development legwork has already been done in the first version, customers recognize the brand and there’s already a built-in market for it.

Think of books that came before yours as a similar “safety net” to your project.  Study the books–both the successful ones and the less so–and think about what made them work or not work.  Think about what you can do to differentiate your project from what has come before, but still keep it within the context.

3)  Find partners in crime.  One of my favorite things to do is go to conferences!  I love meeting other writers, learning about the craft and hearing new information about the business.  This January 2011 I’ll be attending the Writer’s Digest and SCBWI conferences, both in NYC.  If you’ve signed up for either of these, let me know in the comments!  I love connecting with new writer friends.

The way I see it, you never know who you’ll meet at one of these things.  It could be a new critique partner or beta reader, it could be someone you’ll collaborate with some day, it could be a future mentor or someone you might mentor yourself.  The key is to be open to possibilities.

4)  Ideas are not books.  Books are books.  In his memoir, Lessons From a Lifetime of Writing, David Morrell talks about the distinction between the idea and execution.  Every time I start getting down about how un-unique my ideas are, I reread his chapter on plot where he discusses this subject.  His main point is this: sure, an idea might be shiny and new, but an idea does not make a book unique.  What makes a book unique is how the writer implements the idea.  An example:

Take the Harry Potter series–many people marvel at J.K. Rowling’s originality. “How did she come up with such a unique idea?” they wonder.  As if all it takes to create a fantastic book (or series of books) is one extraordinary idea.  Because when you have the fun flashy idea then the book just writes itself.  Ha!

I don’t know about you, but I find this outlook to be rather belittling to the writer; it’s almost as if the writing doesn’t matter.  But as we all know, Harry Potter is about much more than just one sparkly idea.  These books are what they are because the author wrote them.  That same concept in the hands of any other writer would have turned out to be completely different.

5)  Ideas are like subways: any minute now there will be another one.  When I worked in toy development, our department had a attitude that boiled down to this: “If a competitor wants to steal our idea, let it.  We’ll have an even better one in five minutes anyway.”  The minute you think of your idea as one link in a long chain of great ideas, then that one idea doesn’t seem all that ground-breaking anymore.  If you coddle and protect your idea like it’s something precious and priceless, you run the risk of getting too attached and taking the project too seriously.  Have confidence that another better idea is always just a brainstorm away and that even if someone does “borrow” your concept, they’ll never be able to execute it like you will.

Now go out there and do something wild and crazy and unique!