One of the things you’ll need to collect for DIY MFA 2.O is an Idea Bank.  The bank itself can take any number of shapes: a cookie tin, a shoebox, a jar, a small vase.  I’m using this pink cube vase that I found at a thrift shop.

How it works: Write down and any ideas you can’t work on right now and deposit them in the Idea Bank so that they’ll be there for you when you need them later on.  You can keep adding to your stash or taking from it over time.

How is this different from the ORACLE?  The ORACLE is where you keep your creativity tools.  The Idea Bank is where you store the unused fruits of your creativity.

How I use my Idea Bank: I carry slips of paper with me so I can jot down ideas on the go.  When I think of a funny line, prompt or idea for a story, I write it down, fold it up and when I get home I put it in the bank.  Then when I need a creative kick in the pants, I pull an idea out of the bank at random and use that to fuel my writing.

Note that there are no limitations or rules about what you can put in your Idea Bank. In addition to folded pieces of paper, you can also use put in pictures or any other objects that could spark a story or idea.

Hint: If you’re planning to do StoryADay in May, start building up a store of ideas in the bank.

Think about it: if you come up with one good prompt every day between now and April 30, you’ll have more than enough story ideas to get you through May.  Then when you get to the challenge, you can focus on writing and not on thinking up ideas.

Even if you don’t do a month-long challenge like StoryADay, you can still use the Idea Bank to store your ideas until you have time to work on them.  Right now, I’m only alloted two works-in-progress (otherwise I’d have way too many started projects and none that are ever finished).  I use the Idea Bank to store concepts I don’t have time for right now but would like to come back to later.

Have you found an Idea Bank for your DIY MFA 2.O?  What is it?  How do you plan to use it?

As a writer, the Ides of March have always had a special significance to me because for me, this is the day when I can laugh in the faces of all the naysayers in my life.

Ordinarily, I try to keep an optimistic outlook about my writing.  I do my best not to complain about writing or the publishing process, because really, I have no right to complain about it.  No one forced me into writing; I chose it all by myself.  If I feel the need to complain about it then I’ll have to deal with that all-important question: why am I even doing this in the first place?

But even when I’m at my most optimistic, I still have to face a wet blanket every so often.  These are the people who pester me with stupid questions like: “Do you think you’ll actually ‘make it’ as a writer?  Why don’t you stop this insanity and get a real job?”  To which I respond: “This is a real job.  Back off, Brutus.”  Sometimes the naysayers even come in the form of supposed allies who ask questions like: “So, how’s the book coming?” when they really mean: “Are you going to get published before me?”  To which I reply again: “Go soak your head, Brutus.”

Because we don’t need negative energy in our lives.  We don’t need any more conflict than that which we already create on the page ourselves.  And to those writers out there who get soaked by wet blankets but manage to shake the water off: you are my heroes.  Write on!

I have a love-hate relationship with my violin the same way I have a love-hate relationship with writing.  There are many similarities between my writing life and my violin life.  In fact, lot of important lessons I’ve learned about writing, came from playing the violin for so many years.

1)  Practice your scales.  Anyone who plays an instrument has spent hours (maybe even days) practicing nothing but scales, arpeggios and etudes.  Why do we bother with all that pointless stuff?  I mean, it’s not like I’d ever perform my C# melodic minor at a recital.  Doesn’t it defeat the purpose of practicing something if you’re never going to perform it?

On the contrary, it’s important to find time for scales even if it means the thing we’re practicing won’t “pan out” or “become something” later on.  In writing, I’ve learned that even if a book or story doesn’t reach the ready-to-submit stage, that doesn’t make it any less worthy than projects that have.  This is why it’s important build some time into our writing schedule for scales… er, I mean writing exercises.

2)  Do not practice in public.  As a kid, I used to hate it when I’d go to music school and the other kids would hang around before class and noodle on their violins.  I call this faux-practicing.  It isn’t real practice because real practice doesn’t look so effortless and flashy.  Faux-practice is showing off; it’s performing but making it look like practice.  How do I know this?  Because every musician knows that real practice is not something you do in public.  Real practice is embarrassing and messy and downright ugly.  And it’s best kept behind closed doors.

When it comes to writing, I often have that impulse to let people see my work when it’s still in the “practice” phase.  I suppose I let people into my practice space prematurely because otherwise they won’t believe I’m actually writing.  The violin kid inside has helped me gain the strength to tell people: “Back off.  I’ll show you when I’m ready.”

3)  Sometimes you have to suck it up and do it.  Every morning from the age of 4 on, I would spring out of bed and say to myself: “Aw yeah!  I get to practice the violin today!”  And if you believe that then I’ve got some beautiful ocean-front property in Nevada that I’d like to sell you.

Playing an instrument–much like writing–is one of the ultimate tests of delayed gratification.  After all, you spend endless hours alone in a room, practicing for a goal that could be months or years away.  The only thing that gets you through is knowing that the when you reach the prize at the end, it’s going to be worth it.  Otherwise, why would you torture yourself like this, right?  The answer lies in lesson #4.

4)  You have to love the work, even if it’s only some of the time.  If you don’t, you will be miserable.  After all, what if the end-goal turns out not to be as great as you expected?  Or what if you get on that stage and screw up so royally you can never show your face in music school again?  While it’s important to grit your teeth and practice toward a goal, you also need to love the practice in and of itself.  Sure, I was never one of those kids who practiced until her fingers bled or her parents tore her away from the instrument, but there was a certain satisfaction that always came from a productive practice session.

Same with writing.  Of course you want to have some lofty dreams or goals to keep you motivated but in the end, if writing is painful for you, then maybe you should consider something that brings you more joy.

Because it all comes down to joy.  I write for those moments when the story suddenly clicks and makes sense or when characters surprise me.  I write even in those times when it seems more like work and less like fun.  I write because sooner or later, it stops feeling like practice and starts feeling like joy.

What about you?  What is it about writing that gives you joy?

One issue that comes up a lot for writers is whether we can use some piece of another artist’s work in our own work.  The answer is: it’s complicated.  There are three things at play that you would have to consider: infringement, fair use and whether or not what you’re doing is considered a “derivative work.”  Here’s a quick rundown of these technical terms.

Infringement is when you take someone else’s work or idea and use it as your own.  Fan fiction would often be considered infringement because you’re taking characters that were created by another author.  Sure, you can write it for fun in the privacy of your home, but you won’t be able to sell it.  Note also that just changing a few small details is not enough to make a character or a story your own.  There is an exception to infringement, though, and it’s called “fair use.”

Fair use is what you use when you write an English paper and you need to use quotes in the paper.  You’re not paying the author you’re quoting for the right to use his or her words, but because you’re only using a short snippet and you’re using it for academic purposes, it’s OK.

There is another case where fair use comes into play and that’s with humor.  If you’re imitating an existing story or brand but are doing so as a parody, you may be able to claim “fair use.”  One example is the imitation of McDonald’s brand in the movie Coming to America.  The imitation restaurant is called McDowell’s and it serves the Big Mic and Chicken Nukkets.  In this case, the very similarities between the real and imitation brands is what’s being played for laughs.*

Derivative Works are any works derived from the original work.  In other words, if you own an existing work, you also retail rights to follow-on works in both that medium and other media.

For instance, suppose you own the rights to a novel.  You will also retain rights to sequel novels, plays, films scripts and films, audio books and translations of the original (provided you don’t give these rights away).  This is one place where it can be invaluable to have an agent in your corner.  Your agent will help keep you from giving away all these rights when you sign a contract.

Take-home message: 1) Don’t use pieces of work you don’t have rights to, unless you’re certain that you’re covered by fair use (i.e. like when writing an English paper).  2) Have any doubts as to which rights you should hold onto?  Get an agent.


*In this example, McDowell’s is an example of fair use with regard to a trademark, but fair use operates similarly with copyright as well.