Now that you’ve gotten to know your characters a bit more, you’ll need an easy way to keep track of all this new information.  After all, if you’re writing on-the-go, you can’t exactly tote around stacks of pages with character dossiers.  This is where the Acrostic Bio-in-a-Nutshell comes in.  This technique forces you to choose the most important details of your character and organizes it in a compact way.

First a word on acrostics.  I got the idea for this exercise from acrostic poems written by Lewis Carroll, in which the first letter of each line spells the name of the person to whom the poem is dedicated.  It occurred to me that you could use the same technique to organize information in a character dossier, using the character’s name as the basic structure.  Here follows an example of a character bio for one of the character’s I’ve worked with for a story that is now in press.

Lucy Marie Watson

Loyal to her friends
Unaware her best friend (Jake) has a crush on her
Crush on Ralph (leader of her group of friends)
Young (age 11, 6th grade)


Moral compass of the group
Always wears hair in a pony tail
Reliable
Incredibly close to her dad
Efficient (plans ahead)


Willing to take risks and break rules if it’s for a good reason
Adventurous
Two sisters: Danielle (older) and Caroline (younger)
Smart (smartest kid in her group, though the boys would never admit it)
Obedient (usually) so when she breaks rules, she feels guilty
No idea she what to do about her crush (not even aware she has one)

Notice how most of the information is focused on the interpersonal relationships (not a lot of appearance or demographic detail).  For Lucy the relationships were the most important part of her character development so the acrostic bio reflects that.  If your character has a unique appearance or a job that is central to his/her character, then those things are likely to be the ones that pop up on the acrostic.

I like to write my acrostic bio-in-a-nutshell on an index card.  That way I can carry it with me in my notebook and have it right at my fingertips when I need it.

Homework: Choose one of your characters (preferably one you’ve worked with this week) and write an acrostic bio that reflects who that character is at their core.

Then tell me, how has your study of character gone this week?  Discover something new about a character or two?  Anything surprise you?

One of the fundamental concepts behind DIY MFA is that the program starts with you.  All the creativity, effort and success comes from and goes back to you.  Sure, I can show you some options or suggest some places to start, but ultimately, you are the driving force behind your DIY MFA.  All I’m doing is helping you get started; the rest is up to you.

And that can be kind of scary.

After all, it’s easy to follow instructions and work within an established framework, but do-it-yourself isn’t like that.  It can be terrifying to forge your own path, and sometimes structure can be comforting, even for us free-spirited creative types. 

So what do we do when there is no structure?  We develop a writing habit.  And how exactly do we develop and nurture this habit?  Here are some easy tips.

1) Take baby steps.  Try not to push yourself too hard at first because if you do, you’ll be more likely to face burnout later on.  The goal is for your writing habit to be sustainable in the long run, so don’t go for a huge overhaul.  Instead try to make a handful of small, significant changes that will make a big impact on your writing down the road.

2) Give yourself permission to make mistakes.  Building a habit is like being a constant newbie at something.  After all, as soon as you get comfortable, you take another baby step toward your goal.  This means resting on your laurels is never an option, which is why it’s so important to allow yourself the freedom to make mistakes.  Remember that mistakes are inevitable; you might as well learn how to bounce back.

3) It’s OK to have fun.  Many of us have had the idea that writing is “work” rammed into our heads.  This is why when we start having fun with writing it’s hard to believe we’re actually working.  But we are; we’re just having fun at it.  It’s OK for writing to be fun and just because it feels more like play than work doesn’t make it any less worthy.

4) Real writers write when it’s hard.  Writing when it’s easy is, well… easy, but when it stops being fun, you still need to write.  The thing that separates true writers from the wannabes is what happens when the writing becomes tough.  Wannabes quit when it stops being fun, true writers work through the pain.
 
5) When you fall off the horse, dust yourself off and try again.  Don’t waste precious energy beating yourself up for missing a few days of writing.  Just tell yourself “it’s a new day” and start fresh.

6) Find out what’s causing writer’s block.  If have a string of bad writing days, take a few moments to reevaluate and figure out why that might be happening.  Maybe you’ve been over-stressed or over-tired.  Maybe you’ve got a lot on your plate right now.  Think about how you can adjust your writing habit to account for the hurdles you’re facing.  Once you’ve come up with a plan, let go of the past and move forward toward your goals.

7) Take the day off, now and then.  And when you do, don’t spend the whole time feeling guilty because you’re not writing.  If you need a day off, make a conscious decision not to write, then go about your life.

In the end, it’s all about being a more mindful writer.  Don’t let the past and future moments dictate whether you’re able to write in the present.  Learn from past experiences or mistakes but don’t let them haunt you.  When you’re writing, write.  When you’re not writing, live your life.

Most new ideas or concepts go through a four-phase process.  The time spent in each phase–along with the order of the phases themselves–can vary depending on the person and the project.  Some phases can even be repeated multiple times throughout the creative process.

Inspiration Phase
This phase is where you get that initial spark of an idea and it’s what most people think of as the creative process (though as you’ll see, the creative process extends beyond this phase).  In DIY MFA 2.O, we’ll be focusing on this phase, talking about some of the techniques writers can use to dig up new ideas for projects.

Incubation Phase
This is when you let the idea sit for a while.  You might feel weird leaving a project hanging–lazy even–but this phase is an important stage in any creative development.  In writing, incubation can occur between drafts, in the middle of a draft, or even before you start the very first draft.  The important thing is being able to recognize when you need to step back from a project and give yourself room to do so.

Illumination Phase
This is the evaluation stage, where you look at the idea or project, tease it apart and figure out its weak points.  This is also where you look at the overall organization of your idea and shuffle things around as needed.  While your inner critic might usually be persona non grata, in this phase, it might be appropriate to let it have its say.  Later on, we’ll talk later about ways to use your inner critic productively without letting it go spastic and take over your project.

Implementation Phase
This phase, which usually comes at the end, is where you stop thinking and start writing.  Funny how that keeps coming up again and again in ORACLE-related posts.  In the end, it all comes down to the same thing: you can plan and think and ponder all you like, but sooner or later you have to sit down and write.

Every writer has at least one phase they love and at least one that makes a root canal sound like fun.  For me, implementation is where I drag my feet but I’m nutso for the other three.  In fact, I have to limit the number of WIPs I have going or else I’d be constantly tempted to start a ton of projects and I’d never finish any.  What phase do you tend to get “stuck” in and never want to leave?  Which phase scares the living daylights out of you?

When it comes to generating ideas there are basically two ways you can do it: the easy way and the hard way.  Neither one is necessarily better than the other, but the easy way will definitely save you a lot of time, stress and agony, while the hard way… well, it’s just hard.

This is where the ORACLE comes in.  The ORACLE is all about making life easier for you, especially when it comes to generating ideas.  Here are a few principles that I’ve learned from my ORACLE that have helped make my writing life a lot easier.

•  Leave some things to chance.  Let’s face it, part of what makes writing so challenging isn’t that we don’t have enough choices, it’s that we have too many.  Sometimes having to make so many decisions can be paralyzing and limiting your options can actually be liberating.  This is when I turn to the ORACLE.  With the flip of a coin or roll of the die, I can take a decision out of my hands and put it in the hands of chance.  Today, try letting chance decide one small detail in your writing.

•  Engage the five senses.  When I’m at a loss for ideas, I go back to the basics.  I focus on the five senses, particularly senses other than sight (since that one tends to be the one I use most often).  I make a soundtrack for the story I’m working on.  I burn a candle and focus on the scent.  I eat jelly beans in weird flavors.  I go to my knitting stash and pet the yarn.  The latter is how I got the idea for one of my projects.  Try to draw on one of your lesser-used senses.

•  Embrace the unexpected.  I still remember the first time a character of mine hijacked the story from me.  I was writing a short story with an eleven-year-old boy protagonist and suddenly the kid is standing in the living room with his mom measuring him for a party dress and I realized that my character was really a girl.  I spent some time trying to rework the story, to keep with my original vision but the story only came to life the minute I let go of my own personal agenda and let the character be who she wanted to be.  Have you ever had something unexpected come up in a project?  How did you handle it?

•  Step beyond your comfort zone.  It’s easy for writers to get into a routine and sometimes rituals can help us prepare for a writing session.  At the same time, though, too much routine can hinder more than help, and it’s up to us to do something to shake things up.  For me, a great way to break a humdrum routine is to try an new environment.  Sometimes that means just moving to a different room in the apartment; sometimes I have to pack up my notebook and take a subway to a different part of the city.  Do one small thing this week to push you outside your comfort zone.

•  Practice, practice, practice.  One of the most important parts of DIY MFA is the actual doing of it.  We can talk about writing in the abstract forever but the writing won’t do itself.  Sooner or later we have to grit our teeth and do the work and this is where practice comes in.  A friend recently recommended an app for the computer called Pomodoro.  I tried it and now I swear by it.  Seriously.  It keeps me accountable and forces me to focus for short spurts, rather than letting me sit at my desk for hours, zoning out and checking twitter.  What kinds of techniques can you use to help get you in the zone?

How you can apply these five principles to your writing this week?